The poem explores the contrast between the ideals and the reality of humanity, which often stand in opposition. Despite being the most intelligent species, this conflict has persisted since the beginning of time, in my belief. The poem is a reflection of the same human behavior within a modern-day context.
It not only addresses the issues but also incorporates the powerful words of Swami Vivekananda, used as a chorus to spread hope and positive action for the betterment of society.
It is thought-provoking how reality unfolds subtly, almost as if it were a natural instinct of human beings. To interpret this subtlety through music, I recorded a solo electric piano performance live while listening to the poem. Primarily, harmonic elements were used extensively to give specific words and phrases a deeper sonic identity—many of which are altered, poly-chordal, or extended chords.
The last three words in the poem act as a final piece of advice for social wellness. Musically, they are supported with altered harmonic content. Interestingly, the harmonic progression continues even after the words are spoken, stopping only after the third word—symbolizing that countless more such unspoken words exist, even if left unsaid.
This harsh reality is represented sonically by adding a touch of overdrive to the EP tone. The distortion is subtle—almost inaudible—but it significantly contributes to the overall timbral character.
The illusory nature of human behavior is portrayed using a phaser effect, again applied subtly, which further enhances the texture and depth of the tone.
During post production, all the spoken words are placed centrally, while the electric piano is spread wide in the stereo field, surrounding and embracing the words to give the composition a deep, immersive sonic presence.
The final three words were cut and arranged with intentional delay, creating a lasting echo. They were treated differently, as they serve as a strong reminder—an emphatic call to each of us.
